Recently, Bad Ideas announced that they would be calling it a day on the music front. Amongst their goodbyes, they have left us with one last release to enjoy in the form of their third and final full-length self-titled album.
Evan Thomas Weiss’ Into It. Over It. project is considered one of the leading acts of the “emo revival.” 2013’s Intersections saw Weiss at a forefront of a genre thought to be stuck in 2005, and in a sense revolutionising it. Now, the Chicago-based singer is back with his third studio release, Standards.
Excellent hooks? Check. Upbeat riffs? Double check. Waterparks' new EP Cluster sounds amazing and could well be the soundtrack to your summer.
Black Peaks are one of the most interesting bands in post-hardcore and metal music today, and Statues is a whirlwind of different styles within and without heavy music. It will subvert any opinions one may have that heavy music has become stale, and reassure audiences that an interesting, intense, incredible band can still attain a degree of mainstream recognition in the digital age.
There was a point where Wolfmother were thought of as the second coming of the classic 70's rock that is so universally loved. Since their debut album's release in 2006, it seems as though the band have constantly been trying to ride its coattails, trying to emulate its sound and success - unfortunately, it's not always successful.
Britain certainly has the knack for producing good hardcore. Yet, arguably, our friends across the pond still lead the way in the aggressive sub-genre. Their record for exporting hard-hitters is impeccable, but the British brew has character and distinction. Lock & Key’s debut full-length, Peaceless, shows that we can keep up.
The sophomore EP release from Essex’s finest Create to Inspire has a sour name, but contrary to that, their melodic metalcore sound and uniting message is pretty damn sweet.
Right from the off, Wigan sludge pedallers Boss Keloid on Herb Your Enthusiasm make it clear that they aren't here to mess around. This full-length is a fantastic exercise in its sub-genre of metal, and comes highly recommended to any fan of sludge, doom or stoner metal.
John Coffey have a rare gift shared only with a few deserving bands of their ilk: the ability to take a sturdy hardcore punk foundation, and build on it with slab upon slab of badass groove. While the Dutch quintet have been grafting away in their native Utrecht for nearly 15 years, it finally seems like their gargantuan structure is beginning to tower above a wider international audience; here's what we thought of their latest EP, 'A House For Thee'.
Need some new noise? Donnie Willow, hailing from the grey streets of Glasgow – a place with an ever excellent