Black Peaks are one of the most interesting bands in post-hardcore and metal music today, and Statues is a whirlwind of different styles within and without heavy music. It will subvert any opinions one may have that heavy music has become stale, and reassure audiences that an interesting, intense, incredible band can still attain a degree of mainstream recognition in the digital age.
April 2015 saw As It Is release their debut album Never Happy, Ever After. The album made its way into the UK Top 40 and the band managed to creep their way into the US Top 200 at 159. Met with much acclaim, the album was praised for its lyrics, emotions and fresh punk feel. A year down the line the band have re-released Never Happy, Ever After with some extra treats for fans.
We all love a live acoustic album & the guys from The Used have not disappointed with their latest release Live and Acoustic at The Palace. Recorded live at The Palace Theatre in LA, the album is a celebration of the band's 15 year anniversary.
There was a point where Wolfmother were thought of as the second coming of the classic 70's rock that is so universally loved. Since their debut album's release in 2006, it seems as though the band have constantly been trying to ride its coattails, trying to emulate its sound and success - unfortunately, it's not always successful.
Can Fort Hope's latest EP find its place in an ever-expanding catalogue? Yes, but it's not the song you might think that proves to be a hit.
Tonight Alive are back with new album Limitless, and it's a far cry from it's darker, more ominous younger brother.
Love a bit of post-hardcore? (we do!) Giving us a taster of their new sophomore EP are new kids on the block, Story. Released on 4th March, their new record, Hopeless But Hoping, promises to not conform to genre and push the boundaries.
Brighton based rock and DnB outfit The Qemists are back after a six-year gap with the release of Warrior Sound. In a genre filled with heavyweights of music, do these boys have the warrior spirit to take on these giants?
Britain certainly has the knack for producing good hardcore. Yet, arguably, our friends across the pond still lead the way in the aggressive sub-genre. Their record for exporting hard-hitters is impeccable, but the British brew has character and distinction. Lock & Key’s debut full-length, Peaceless, shows that we can keep up.
Last month Brighton rockers Rory Indiana released their sophomore EP Ruling Class Crooks. The band should be very proud of what they have put together: in just four short tracks they manage to get across their sound and love for what they do.











