An electrical fire couldn’t stop the music: After a sudden move from /FORM Space to a nightclub on the former site of a brewery, Myrath finally made their long-awaited Cluj-Napoca debut alongside Roses of Thieves. Here’s everything that went down during the show!

Set in the grounds of a Transylvanian castle, you can have one of the most exciting festival experiences of the year at Electric Castle.

Seven years after their last headlining stint, Alestorm bring their swashbuckling shows back to Romanian shores, joined by Roses of Thieves and Lutharo. Here’s what went down at their Transylvanian gig in Cluj-Napoca!

Following Adam Gontier’s return to the fold, Three Days Grace returned to Europe, joined by Badflower as openers. Here's what we thought of their landmark show in Bucharest, Romania – their first ever in the country with Gontier on vocals!

While the second half ends up dragging slightly compared to the start of the record, Avatar’s 'Don’t Go In The Forest' is, nonetheless, a very fun ride throughout its 10-song journey, which could not have been released on a more fitting day.

Five years after their last release, Deftones return with 'private music', the most Deftones sounding album they've put out since 2010’s 'Diamond Eyes'.

Even in its weakest moments, Sleep Theory’s debut album, 'Afterglow', is nothing less than stellar. If these guys keep delivering material of this quality, there'll be nowhere to go but upwards.

'Skeletá' continues off the sounds established by past albums while also revisiting some past eras, with this new effort once again proving that, in spite of the haters, Ghost are here to stay, and will only get bigger.

Following a reunion nearly twenty years in the making, the legendary symphonic metal duo of Tarja Turunen and Marko Hietala stopped by in Cluj-Napoca on March 31st, accompanied by Czech power metal band Symphonity. Here’s what we thought of this landmark event!

'Vaxis - Act III: Father of Make Believe' is a quintessential Coheed and Cambria album. It’s quiet and sensible in some parts, heavy and high-octane in others, and as theatrical and bombastic as one can expect from the mind of Claudio Sanchez. This third entry into a five-album saga takes elements from their entire past catalogue, both in terms of canon and soundscapes, and polishes them up for this new chapter in the overarching canon.