Music Reviews


The enigmatic hardcore collective return with their third album, following up the brilliant 'ONLY LOVE' from 2018. This time, they have even revealed who is actually playing on the record….or have they? Having officially stepped out of the shadows, do they deliver another boundary pushing release with 'ULTRAPOP'?
Music Reviews

ALBUM REVIEW: Napalm Death – Throes Of Joy In The Jaws Of Defeatism

When we all look back on the year 2020, its probably not going to be a year many of us want to remember much about. It’s a year that has lead a lot of people to despair, defeatism and rage. If you were on the lookout for a record that unapologetically channels that feeling, grindcore God-emperors Napalm Death may have just given us exactly what your looking for.
Deep Cuts

MUSIC FEATURE: Deep Cuts – Deftones

Welcome to our brand new feature series, Deep Cuts! Sacramento, California’s Deftones are first up in this feature, whereby writers bring their favourite, less appreciated gems to the forefront, trying to redress the balance from the big guns. Read on to find out Louis Tsangarides' picks from Deftones' hefty back-catalogue.
Music Reviews

ALBUM REVIEW: Trivium – What The Dead Men Say

Trivium’s ninth, (yes, really) album finds itself in a very interesting position. 'The Sin and The Sentence' was well received, and was accompanied with a monstrous touring cycle backed up by the likes of Code Orange, Power Trip and Venom Prison including an utterly triumphant Brixton Academy show. The question is this: will 'What The Dead Men Say' keep the momentum moving forward rather than careering backwards?
Music Reviews

ALBUM REVIEW: Code Orange – Underneath

Following the absolute monster that their previous record 'Forever' became, Grammy nomination and all, could prove to be a tall order for most, the weight of expectation crushing them like an ant underneath boot. Have Pittsburgh’s finest proven themselves up to the task?

ALBUM REVIEW: Gideon – Out Of Control

Alabama hardcore quartet Gideon decide to party like its 1999, with a new album that goes for a paddle in the nu-metal end of the musical swimming pool. Does this new direction herald bigger things for the band?
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